What's Chairman Mao Got to Do with It? : Nostalgia, Intertextuality and Reconstructing Revolutionary Myth in Tsui Hark's The Taking of Tiger Mountain by Strategy

P. 71-82

• Articoli dello stesso fascicolo (disponibili singolarmente)

  • Editorial : Why Cinéma & Cie (again)
    Ottieni articolo
  • Maoisms, National Cinemas, Transnational Perspectives : An Introduction
    Ottieni articolo
  • Struggling between Two Fronts : Godard, Dziga Vertov Group and the Ethical Predicaments of Post-1968 French Maoism
    Ottieni articolo
  • Ethnographies of the Khmer Rouge Revolution : Democratic Kampuchea in Movies (1975-1978)
    Ottieni articolo
  • The Spring Thunder : Revisiting the Naxal Movement in Indian Cinema
    Ottieni articolo
  • What's Chairman Mao Got to Do with It? : Nostalgia, Intertextuality and Reconstructing Revolutionary Myth in Tsui Hark's The Taking of Tiger Mountain by Strategy
  • Chinese Fictions in France and Shadows in China
    Ottieni articolo
  • We Have Never Been Chaste : Sexuality and Cinephilia in Post-Maoist Cinema
    Ottieni articolo
  • Permanent Call for Essays
    Ottieni articolo
  • Connect, Disconnect, Reconnect : Historicizing the Current Gesture towards Disconnectivity, from the Plug-in Drug to the Digital Detox
    Ottieni articolo
  • Reviews / Comptes-rendus
    Ottieni articolo
  • Projects & Abstracts
    Ottieni articolo
  • Contributors / Collaborateurs
    Ottieni articolo

  Mostra altro
• Informazioni

  ISSN: 2035-5270

  Permalink: https://digital.casalini.it/5064475