What's Chairman Mao Got to Do with It? : Nostalgia, Intertextuality and Reconstructing Revolutionary Myth in Tsui Hark's The Taking of Tiger Mountain by Strategy

P. 71-82

• Articles from the same issue (available individually)

  • Editorial : Why Cinéma & Cie (again)
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  • Maoisms, National Cinemas, Transnational Perspectives : An Introduction
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  • Struggling between Two Fronts : Godard, Dziga Vertov Group and the Ethical Predicaments of Post-1968 French Maoism
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  • Ethnographies of the Khmer Rouge Revolution : Democratic Kampuchea in Movies (1975-1978)
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  • The Spring Thunder : Revisiting the Naxal Movement in Indian Cinema
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  • What's Chairman Mao Got to Do with It? : Nostalgia, Intertextuality and Reconstructing Revolutionary Myth in Tsui Hark's The Taking of Tiger Mountain by Strategy
  • Chinese Fictions in France and Shadows in China
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  • We Have Never Been Chaste : Sexuality and Cinephilia in Post-Maoist Cinema
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  • Permanent Call for Essays
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  • Connect, Disconnect, Reconnect : Historicizing the Current Gesture towards Disconnectivity, from the Plug-in Drug to the Digital Detox
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  • Reviews / Comptes-rendus
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  • Projects & Abstracts
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  • Contributors / Collaborateurs
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  ISSN: 2035-5270

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