Stage Directions and Authorship : Shakespeare, Middleton, Heywood

P. 185-200

• Informazioni

  Codice DOI: 10.1400/210318

  Permalink: http://digital.casalini.it/10.1400/210318
• Nello stesso volume

  • Introduction
  • The Author, the Text, the Reader
  • Unified Theory of the Text (UTT) and the Question of Authorship Attribution
  • Shakespeare, Linguistics and a New Philology
  • Shakespeare : Playwright or Sprachschöpfer?
  • The Primacy of Philology
  • The Burden of Proof : from New Biographism to New Disintegration
  • Reviewing Authorship Studies of Shakespeare and His Contemporaries, and the Case of Arden of Faversham
  • The Choice between Plays and Poems
  • Stage Directions and Authorship : Shakespeare, Middleton, Heywood
  • Romeo and Juliet : una croce testuale fra Q2 e Q1.
  • King Lear : the Division of the Critics
  • The Two Noble Kinsmen : Lettura critica di una tragicommedia a quattro mani
  • Hamlet : the Acting Version and the Wiser Sort
  • Chi ha scritto The Murder of Gonzago? : un autore alla ricerca del suo personaggio
  • Hamlet : Authorship Enacted
  • Grammatica, stile e politica : l'uso del pronome ye in Thomas of Woodstock
  • Double Falsehood/Cardenio : a Case of Authorship Attribution with Computer-Based Tools
  • Speaking the Truth : on the Power of Words in Arden of Faversham
  • Partita a scacchi : apocrifi shakespeariani e opere di Middleton
  • Pasticci shakespeariani : gli apocrifi nella narrativa del XXI secolo
  • Works Cited
  • Selected publications and performances 2009-2010
  • Shakespearian studies