Stage Directions and Authorship : Shakespeare, Middleton, Heywood

P. 185-200

• Chapters from the same volume (available individually)

  • Introduction
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  • The Author, the Text, the Reader
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  • Unified Theory of the Text (UTT) and the Question of Authorship Attribution
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  • Shakespeare, Linguistics and a New Philology
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  • Shakespeare : Playwright or Sprachschöpfer?
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  • The Primacy of Philology
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  • The Burden of Proof : from New Biographism to New Disintegration
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  • Reviewing Authorship Studies of Shakespeare and His Contemporaries, and the Case of Arden of Faversham
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  • The Choice between Plays and Poems
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  • Stage Directions and Authorship : Shakespeare, Middleton, Heywood
  • Romeo and Juliet : una croce testuale fra Q2 e Q1.
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  • King Lear : the Division of the Critics
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  • The Two Noble Kinsmen : Lettura critica di una tragicommedia a quattro mani
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  • Hamlet : the Acting Version and the Wiser Sort
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  • Chi ha scritto The Murder of Gonzago? : un autore alla ricerca del suo personaggio
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  • Hamlet : Authorship Enacted
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  • Grammatica, stile e politica : l'uso del pronome ye in Thomas of Woodstock
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  • Double Falsehood/Cardenio : a Case of Authorship Attribution with Computer-Based Tools
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  • Speaking the Truth : on the Power of Words in Arden of Faversham
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  • Partita a scacchi : apocrifi shakespeariani e opere di Middleton
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  • Pasticci shakespeariani : gli apocrifi nella narrativa del XXI secolo
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  • Works Cited
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  • Selected publications and performances 2009-2010
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  • Shakespearian studies
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• Information

  DOI: 10.1400/210318
  ISBN: 9788878706583

  Permalink: http://digital.casalini.it/10.1400/210318

  DISCIPLINES

  • English drama