The pyramid and the intentiones : Alhacen, Alberti and the composition of stories in painting

P. 173-179

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  • On primacy
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  • Pisa and antiquity
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  • Antiquities and antiquarians in Florence in the first half of the 15th century
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  • Opus francigenum? : sic et non the influence of french art in Tuscany and central Italy during the gothic period
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  • The work site of Santa Maria del Fiore
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  • Representing the nude figure in Early Renaissance florentine art.
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  • 1400-10 : the Dawn of the Renaissance
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  • Brunelleschi's dome in the cultural and other landscapes of Florence
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  • Exaltation of civic life and ancient culture : the flux and reflux of romanitas among florentine humanists
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  • Almost like living people, and no longer figures of stone
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  • Metalwork and sculpture in 15th-century florentine art.
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  • The bronze casting challenge
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  • The Spiritelli of the Renaissance
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  • Saints and infants
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  • From the pagan idol to Donatello's Bronze horse : the iconography of condottieri in florentine sculpture in the early 15th century
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  • Donatello, creator of the modern public equestrian monument
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  • Sculptured painting in early Renaissance Florence
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  • Donatello's challenge, variously echoed, from Masaccio to Filippo Lippi
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  • Optics and perspective prior to Alberti
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  • The pyramid and the intentiones : Alhacen, Alberti and the composition of stories in painting
  • Alla maniera de' Fiorentini : the spread of taste and its trends in the italian Renaissance
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  • A new, useful and beautiful art : considerations on the invention of glazed sculpture
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  • The 1439 Council
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  • Solidarity and piety in Florence
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  • The rebirth of the sculpted portrait in 15th-century Florence
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  • The arts in the Palazzi, 1450-70
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  • Worship, admiration, display : domestic sculptures
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  • Sculptural decoration in patrician palaces
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  • Catalogue
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  • Bibliographical references
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  ISBN: 9788874616657

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