Simulating the Past : Digital Preservation of Moving Images and the End of Cinema

P. 45-53

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  • Against Post-cinema
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  • Simulating the Past : Digital Preservation of Moving Images and the End of Cinema
  • The Photochemical Conditions of the Frame
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  • The Experience of Duration and the Manipulation of Time in Exposed Cinema
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  • Archival Hauntings in the Revenant Narratives from Home in Péter Forgács' Private Hungary
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  • Projects & Abstracts
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  • Contributors / Collaborateurs
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  ISSN: 2035-5270

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