C Capitolo Dwyer Modestini, Dianne Assis Chateaubriand and São Paulo 2018 - Cadmo ID: 4241845 Permalink: http://digital.casalini.it/10.1400/255734 Codice DOI: 10.1400/255734 Fa parte di Masterpieces : based on a manuscript by Mario Modestini Workspace Informazioni DESCRIZIONE P. 170-177 Nello stesso volume Dwyer Modestini, Dianne Introduction Dwyer Modestini, Dianne Preface Dwyer Modestini, Dianne Early years. Dwyer Modestini, Dianne From art student to art restorer Dwyer Modestini, Dianne The Rospigliosi collection Dwyer Modestini, Dianne Caveat emptor Dwyer Modestini, Dianne The Istituto Centrale per il Restauro Dwyer Modestini, Dianne War : Rome, open city Dwyer Modestini, Dianne After the war : transitions. Dwyer Modestini, Dianne The Florentine connection Dwyer Modestini, Dianne Barone Michele Lazzaroni Dwyer Modestini, Dianne Assis Chateaubriand and São Paulo Dwyer Modestini, Dianne Welcome to America Dwyer Modestini, Dianne Carnegie Hall and Huckleberry Hill. Dwyer Modestini, Dianne New York, New York Dwyer Modestini, Dianne Samuel Kress and the National Gallery of Art. Dwyer Modestini, Dianne The Regional Gallery program Dwyer Modestini, Dianne The art of acquisition Dwyer Modestini, Dianne The last picture sale Dwyer Modestini, Dianne Missed opportunities. Dwyer Modestini, Dianne Endings. Dwyer Modestini, Dianne New clients and friends. Dwyer Modestini, Dianne Notable restorations. Dwyer Modestini, Dianne A few more forgeries. Dwyer Modestini, Dianne Misattributions, studio replicas, and repainted originals. Dwyer Modestini, Dianne Cleanings and controversies. Dwyer Modestini, Dianne Please do not varnish this painting Dwyer Modestini, Dianne Retirement Dwyer Modestini, Dianne The Salvator mundi Dwyer Modestini, Dianne Appendix I : technical matters and essential principles. Dwyer Modestini, Dianne Appendix II : restoration practices. Dwyer Modestini, Dianne Plates. Dwyer Modestini, Dianne Notes. Dwyer Modestini, Dianne Index of names. Dwyer Modestini, Dianne Bibliography Dwyer Modestini, Dianne Illustration credits. Dwyer Modestini, Dianne Acknowledgements.
