2011 - Edizioni di Pagina
Articolo
Versione Digitale
Preface
P. 7-7
Fa parte di
North-West Passage : Yearly Review of the Centre for Northern Performing Arts Studies : 8, 2011-
Informazioni
Codice DOI: 10.1400/180016
ISSN: 2036-5632
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Nello stesso fascicolo
- Preface
- Bergman's Landscapes : From Shooting Locations to Metaphors
- The Role of Music in Ingmar Bergman's Films
- Notes on Young Bergman's Narrative Form : Kri.
- We Are Like a Circus : the Magic Ring in Theatre and Cinema
- Words Lie, Writing Penetrates
- Unmasking the Face : Notes on the Look at the Camera in Ingmar Bergman
- Sommarnattens leende : Motives, Themes, Figures
- Sommarnattens leende or Unresigned Humour in Bergman's Cinema
- Tystnaden
- Like a Ghost Sonata : the Temporal Dimension of the Fantastic in Vargtimmen
- A Strong Wind Indeed : Notes on Ingmar Bergman's Vargtimmen
- References to Dionysianism in Bergman's Riten
- The Work on Actors in the Polyptych of Fårö
- Autobiographies Face to Face : Liv Ullmann and Ingmar Bergman at the Threshold between Reality and Cinematic Fiction
- The Turk Unbound : the Captivity/Release Motif in Danish Theatrical Turqueries
- A Doll's House on the Modern Chinese Stage
- A Disenchanted View of Freedom : Elfriede Jelinek's Continuation of Two Ibsen' Plays
