Enter the Undead Author : Intellectual Property, the Ideology of Authorship, and Performance Practices since the 1960s

shared repertoire. This tension between the theoretical death of the author and the growth of actual authors' abilities to control access to and even in some cases interpretations of their work exposes the deftness with which dominant ideologies and their attendant modes of production can repurpose the aesthetics of even countercultural or revolutionary movements in theater. [Publisher's text]

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