Safeguarding in war theatres : the Austro-Italian front

P. 44-56

• Chapitres du même volume (disponibles individuellement)

  • Foreword
  • The Alpine-Adriatic Region : an outline of its 20th-century history
  • Maps
  • Editorial Note
  • Safeguarding in war theatres : the Austro-Italian front
  • Bells, organs and church roofs into weapons
  • The cultural heritage of Friuli during the Austro-German occupation (1917-1918)
  • Redefining identities
  • Struggling for art : war damages, claims and restitutions
  • Strengthening feelings of national identity : the case of Zadar
  • Displaced art objects : a constant field of conflict between Italy and Yugoslavia
  • Italian safeguarding of cultural heritage in border areas
  • Illusions of a cultural policy : the Italian occupation of Slovenia (1941-1943)
  • "Machen Sie mir dieses Land wieder deutsch!" : the German occupation of Slovenia (1941-1945)
  • Hunting for nordic traces from South Tyrol to Slovenia : the role of the SS-Ahnenerbe
  • Nationalizing Croatian art (1941-1945)
  • Trieste, a last way out : Jewish emigrants and their cultural assets
  • The confiscation of Jewish cultural assets in Italy : from Fascist to Nazi persecution
  • The restitution of Jewish cultural assets in the free territory of Trieste
  • The Allies and art restitutions : the case of Zadar
  • Policies of appropriation and redistribution in socialist Yugoslavia (1947-1966)
  • Cold War shadows on a Borderland Region
  • Italy and Yugoslavia : claims, reparations and restitutions (1947-1961)
  • For the sake of Yugoslavia and self-celebration : the Mimara donations
  • Istrian Artworks in Italy
  • Conclusion
  • Biographical notes
  • Concordance of place names
  • Appendix 1 : Time, places, borders : an overview
  • Appendix 2 : Maps 1939-1945
  • List of Archives
  • Bibliography
• Informations

  Code DOI : 10.1400/289735

  Permalink: http://digital.casalini.it/10.1400/289735