Archival Hauntings in the Revenant Narratives from Home in Péter Forgács' Private Hungary

P. 135-148

• Articles du même numéro (disponibles individuellement)

  • Post-what? : Post-when? : A Conversation on the Posts of Post-media and Post-cinema
    Obtenir l'article
  • Speculation : Transition, and the Passing of Post-cinema
    Obtenir l'article
  • Against Post-cinema
    Obtenir l'article
  • Simulating the Past : Digital Preservation of Moving Images and the End of Cinema
    Obtenir l'article
  • The Photochemical Conditions of the Frame
    Obtenir l'article
  • Becoming Space in Every Direction : Birdman as Post-cinematic Baroque
    Obtenir l'article
  • GIF Art in the Metamodern Era.
    Obtenir l'article
  • Queering the Amateur Analog Video Archive : the Case of Bologna's Countercultural Life in the 80s and the 90s.
    Obtenir l'article
  • Notes for a History of Radio-Film : Cinematic Imagination and Intermedia Forms in Early Italian Radio
    Obtenir l'article
  • The Experience of Duration and the Manipulation of Time in Exposed Cinema
    Obtenir l'article
  • Archival Hauntings in the Revenant Narratives from Home in Péter Forgács' Private Hungary
  • Projects & Abstracts
    Obtenir l'article
  • Reviews / Comptes-rendus
    Obtenir l'article
  • Contributors / Collaborateurs
    Obtenir l'article

  Afficher plus
• Informations

  ISSN: 2035-5270

  Permalink: https://digital.casalini.it/5034577

  DISCIPLINES