Edvard Munch's Impact on Norwegian Modern Art after WW I.

P. 41-51

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  • The Dialectic Position of the Nordic Avant-gardes
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  • Strindberg and 20th Century Avant-garde Drama and Theatre
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  • Edvard Munch's Impact on Norwegian Modern Art after WW I.
  • Songs about Iron and of Iron : Henry Parland and the Poetic Potential of Technology
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  • Franziska zu Reventlow : Striving for Freedom on Ibsen's Trail
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  • Two Precursors of Expressionism : August Strindberg and Leonid Andreev
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  • Marinetti and Futurism in the World
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  • Lagerkvist, la vitalità dell'arte moderna e la decadenza del realismo
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  • Copenhagen into the Avant-garde: Literary Dreams and Nightmares about a City
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  • The Lyricism of Matter : Jules Romains and the French Avant-garde
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  • To be continued : Van Doesburg's Reviews of the Avant-garde (1921-1922)
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  • La velocità e la dynamis : il futurismo italiano e l'avanguardia cinematografica sovietica
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  • A Productive Alienation : Bertolt Brecht's Exile in Denmark, Sweden and Finland
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  • Surrealism in Gunnar Ekelöf's Poetry in the Early '30s
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  • Harry Martinson's Prose Nomadism : a Comparative Reading of Resor utan mål, Kap Farväl!, and Vägen till Klockrike
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  • Modernism and the City : the Exception of London
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  • Modernism without Avant-garde between Nielsen and Sibelius : the Lack of War Soundscapes in the Music of Northern-Europe
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  Code DOI : 10.1400/255218

  Permalink: https://digital.casalini.it/10.1400/255218