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What are men to rocks and mountains? : Self-Interest, Civility and the Unnameable in Jane Austen's Pride and Prejudice
P. 159-174
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Informations
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Dans le même volume
- Preface
- Introduction
- Pride and Prejudice : Always Contemporary
- Two Centuries of Pride and Prejudice : Why Celebrate?
- Teaching Jane Austen in the Twenty-first Century : How to Embrace the Popular Jane while Respecting the Literary Austen
- Decorum and Deviance in the Italian Translations of Pride and Prejudice
- Pride, Prejudice, and Postcolonial Zombies
- Childe Harold and Fitzwilliam Darcy, or a Tale of Two 200-Year-Old Heroes
- On His First Entering a Neighborhood : Juxtaposition in Pride and Prejudice
- Repairing the Irreparable : The slit in the worked muslin gown
- The Reluctant Character of Mr. Darcy
- Talking about Talking : Conversation and Conduct in Pride and Prejudice
- What are men to rocks and mountains? : Self-Interest, Civility and the Unnameable in Jane Austen's Pride and Prejudice
- Pride and Prejudice, Gendered Modernity, and the Novel
- Capacity, and taste, and application, and elegance : Music in Jane Austen's Life and Work
- Filming Tourism, Portraying Pemberley
- Austen Masala : Bride and Prejudice as Transcultural Adaptation
- Subtitling Jane Austen : Pride & Prejudice by Joe Wright
- Dis/covering Characters : Clothes and Clothing in Pride and Prejudice and its Filmic Adaptations
- Searching for Truth in the Music for Pride and Prejudice : Dario Marianelli in Conversation with Miguel Mera
- Biographical Notes on Contributors
