2013 - Ledizioni
Chapitre
Digital Version
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Contrasting Looks on Southern France : British Painters and the Visual Exploration of Provence in the 18th and Early 19th Centuries
P. 39-52
Fait partie de
Provence and the British imagination. - ( Di/segni ; n. 5)-
Informations
ISBN: 9788867051373
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Dans le même volume
- List of illustrations
- Introduction
- Provence and the British Imagination in Tobias Smollett's Travels through France and Italy (1766)
- Contrasting Looks on Southern France : British Painters and the Visual Exploration of Provence in the 18th and Early 19th Centuries
- Of Bards and Troubadours : From rime couée to the Burns Stanza
- My very dreams are of Provence : Le bon Roi René, from Walter Scott to the Pre-Raphaelites
- Silent, burnt up, shadeless and glaring : Provence Seen through Victorian Editions of Murray's Handbook for Travellers in France
- Walter Pater's Representation of the central love-poetry of Provence
- The Irish Troubadour of the Provençal Félibrige : William Charles Bonaparte-Wyse
- Eccentric Naturalists : Henry James and the Provençal Novelist Alphonse Daudet
- Such ecstasies of recognition : R. Stevenson's Ordered South, 1874, as Riviera Requiem
- Monarchy, Spirituality and Britishness : The Anglican Diaspora in Grasse, 1880-1950
- Into Gypsydom : Augustus John's Provence
- Ezra the Troubadour
- Mapping Ford Madox Ford's Provence in Provence
- Roland Penrose and the Impulse of Provence
- Index of names
- Index of most important places
- Notes on Contributors
