The Role of Music in Ingmar Bergman's Films

P. 25-46

• Informations

  Code DOI : 10.1400/180018

  ISSN: 2036-5632

  Permalink: http://digital.casalini.it/10.1400/180018
• Dans le même fichier

  • Preface
  • Bergman's Landscapes : From Shooting Locations to Metaphors
  • The Role of Music in Ingmar Bergman's Films
  • Notes on Young Bergman's Narrative Form : Kri.
  • We Are Like a Circus : the Magic Ring in Theatre and Cinema
  • Words Lie, Writing Penetrates
  • Unmasking the Face : Notes on the Look at the Camera in Ingmar Bergman
  • Sommarnattens leende : Motives, Themes, Figures
  • Sommarnattens leende or Unresigned Humour in Bergman's Cinema
  • Tystnaden
  • Like a Ghost Sonata : the Temporal Dimension of the Fantastic in Vargtimmen
  • A Strong Wind Indeed : Notes on Ingmar Bergman's Vargtimmen
  • References to Dionysianism in Bergman's Riten
  • The Work on Actors in the Polyptych of Fårö
  • Autobiographies Face to Face : Liv Ullmann and Ingmar Bergman at the Threshold between Reality and Cinematic Fiction
  • The Turk Unbound : the Captivity/Release Motif in Danish Theatrical Turqueries
  • A Doll's House on the Modern Chinese Stage
  • A Disenchanted View of Freedom : Elfriede Jelinek's Continuation of Two Ibsen' Plays