Il passato come "avvenir migliore" : sovrimpressioni mediali nella Traviata di Lazar

P. 185-196

• Articles from the same issue (available individually)

  • Prefazione
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  • Listening and Looking in the Age of Sound Art : notes on History, Theory, Practice, and Reception
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  • Beethoven's "Appassionata" in the Tube : Conflicting Temporalities in Graphically Animated Music Videos
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  • Backstage Live : Theatre, Opera and the Obscene in the Visual Age.
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  • La popular music in una prospettiva transmediale : il caso della trap in Italia
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  • "Sounding" the Space : Soundscape and Construction of the Imaginary in the Historical District of San Berillo
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  • Between Site-Specific and Sound Installation : the Multisensory Experience of Andrew May's Unset
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  • Image of the Conductor : a Case Study of Simon Steen-Andersen's AMID
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  • "Da ward mein Auge wach" : Filmed Performances of Schubert's Winterreise and the Tradition of Visualizing Schubert Songs
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  • Against the Grain and Out Yonder : Decolonizing the Music Conservatory via Vernacular Pedagogies
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  • Between Music and Painting : Walter Ruttmann's Opus Films
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  • Re-envisaging Chinese Traditional Music : the Use of Pre-existing Music in Post-war Hong Kong Martial Arts Costume Drama Films
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  • Il passato come "avvenir migliore" : sovrimpressioni mediali nella Traviata di Lazar
  • Nei deserti di Varèse e di Viola
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• Information

  DOI: 10.53152/1187

  ISSN: 0069-3391

  Permalink: https://digital.casalini.it/10.53152/1187