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Between Music and Painting : Walter Ruttmann's Opus Films
P. 197-209
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Information
DOI: 10.53152/1185
ISSN: 0069-3391
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In this issue
- Prefazione
- Listening and Looking in the Age of Sound Art : notes on History, Theory, Practice, and Reception
- Beethoven's "Appassionata" in the Tube : Conflicting Temporalities in Graphically Animated Music Videos
- Backstage Live : Theatre, Opera and the Obscene in the Visual Age.
- La popular music in una prospettiva transmediale : il caso della trap in Italia
- "Sounding" the Space : Soundscape and Construction of the Imaginary in the Historical District of San Berillo
- Between Site-Specific and Sound Installation : the Multisensory Experience of Andrew May's Unset
- Image of the Conductor : a Case Study of Simon Steen-Andersen's AMID
- "Da ward mein Auge wach" : Filmed Performances of Schubert's Winterreise and the Tradition of Visualizing Schubert Songs
- Against the Grain and Out Yonder : Decolonizing the Music Conservatory via Vernacular Pedagogies
- Between Music and Painting : Walter Ruttmann's Opus Films
- Re-envisaging Chinese Traditional Music : the Use of Pre-existing Music in Post-war Hong Kong Martial Arts Costume Drama Films
- Il passato come "avvenir migliore" : sovrimpressioni mediali nella Traviata di Lazar
- Nei deserti di Varèse e di Viola
