La metafora del suono come être vivant e il suo ruolo nelle poetiche compositive contemporanee

P. 217-236

• Articles from the same issue (available individually)

  • Introduzione
    Get article
  • Re-engaging the Natural and Built Soundscape through Soundscape Composition
    Get article
  • Dal bosco al palco : Timber and Timbre, Nature and Music
    Get article
  • Ecologia dell'impercettibile e derive dell'ascolto : pratiche sonore in Antartide
    Get article
  • Un-lost in Translation : Sound, Ecology, Activism
    Get article
  • Chain Reaction (1973–74) : “effetto farfalla” e strumenti eolici in un'installazione performativa di Mario Bertoncini
    Get article
  • “Psycological sounds” : la serie di dischi Environments (1969–1979) ragioni del successo della musica ambient
    Get article
  • Electroacoustic Soundscape Journeys : Soundwalking through Works by Hildegard Westerkamp
    Get article
  • The Experience of Nature, Time and Lightness in Goffredo Petrassi's Laudes Creaturarum
    Get article
  • Xenakis and Nature : From Natural Sciences to an Environmental Music?
    Get article
  • Nature, the Spiritual, and New Technologies in Jonathan Harvey's Music
    Get article
  • La metafora del suono come être vivant e il suo ruolo nelle poetiche compositive contemporanee
  • La natura della lingua, la lingua della natura
    Get article
  • Etnografie del suono tra natura e cultura
    Get article

  Show more
• Information

  DOI: 10.53152/1052

  ISSN: 0069-3391

  Permalink: https://digital.casalini.it/10.53152/1052

  DISCIPLINES

  • Music