Ecologia dell'impercettibile e derive dell'ascolto : pratiche sonore in Antartide

P. 35-47

• Articles from the same issue (available individually)

  • Introduzione
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  • Re-engaging the Natural and Built Soundscape through Soundscape Composition
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  • Dal bosco al palco : Timber and Timbre, Nature and Music
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  • Ecologia dell'impercettibile e derive dell'ascolto : pratiche sonore in Antartide
  • Un-lost in Translation : Sound, Ecology, Activism
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  • Chain Reaction (1973–74) : “effetto farfalla” e strumenti eolici in un'installazione performativa di Mario Bertoncini
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  • “Psycological sounds” : la serie di dischi Environments (1969–1979) ragioni del successo della musica ambient
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  • Electroacoustic Soundscape Journeys : Soundwalking through Works by Hildegard Westerkamp
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  • The Experience of Nature, Time and Lightness in Goffredo Petrassi's Laudes Creaturarum
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  • Xenakis and Nature : From Natural Sciences to an Environmental Music?
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  • Nature, the Spiritual, and New Technologies in Jonathan Harvey's Music
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  • La metafora del suono come être vivant e il suo ruolo nelle poetiche compositive contemporanee
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  • La natura della lingua, la lingua della natura
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  • Etnografie del suono tra natura e cultura
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• Information

  DOI: 10.53152/1044

  ISSN: 0069-3391

  Permalink: https://digital.casalini.it/10.53152/1044

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