2018 - Franco Angeli
Article
Digital Version
Download | Copy/paste | Printing
Audience participassion : professionisti e pubblici teatrali tra partecipazione e passione
65-81 p.
- The article presents the ethnographic account of a particular audience development project, T.A.S.K. (Theatre Audience Specific Keys), implemented by the Teatro della Tosse (Genova) as an original initiative focused on the engagement of young non-attenders (19-25). In particular, the research aims to understand the lived experience of all the people involved in the project, and the reactions of nonattenders to a range of live performances they experienced under study conditions. The T.A.S.K. project has resulted in much more than a data-gathering or datagenerating exercise. Instead it has become a form of participatory enquiry, where both the T.A.S.K. members and the audience members were actively engaged in the process of making sense of their experiences for themselves. [Publisher's text].
Is part of
Sociologia della comunicazione : 56, 2, 2018-
Information
ISSN: 1972-4926
KEYWORDS
- Audience development, audiences, theatre, experience, ethnography, participant observation
-
In this issue
- Editoriale
- Introduzione : osservare i pubblici : sociologia, comunicazione e consumo alla prova dell'audience development
- Verso un museo partecipato : arti e tradizioni popolari a Roma
- Il lavoro dello spettatore dal vivo : capitale culturale ed esperienza : il caso del pubblico del Rossini Opera Festival
- Audience participassion : professionisti e pubblici teatrali tra partecipazione e passione
- A scena aperta : il teatro come esperienza collettiva per ripensare le comunità
- L'audience development nelle poetiche : Clessidra del Teatro delle Forche a Chiatona
- L'edutainment e i bambini : l'esperienza del Poltrona Frau Museum
- Audience development e social media : i musei torinesi tra fan e anti-fan
- Mapping social occasions in theatre events : a network analysis of spectators' interactions
- Gli autori
