C Chapter Dwyer Modestini, Dianne Acknowledgements 2018 - Cadmo ID: 4242076 Permalink: http://digital.casalini.it/10.1400/255765 Permalink: https://doi.org/10.1400/255765 DOI: 10.1400/255765 Is part of Masterpieces : based on a manuscript by Mario Modestini Workspace Quote View Online download Information DESCRIPTION P. 523-524 In the same volume Introduction Preface Early years From art student to art restorer The Rospigliosi collection Caveat emptor The Istituto Centrale per il Restauro War : Rome, open city After the war : transitions The Florentine connection Barone Michele Lazzaroni Assis Chateaubriand and São Paulo Welcome to America Carnegie Hall and Huckleberry Hill New York, New York Samuel Kress and the National Gallery of Art. The Regional Gallery program The art of acquisition The last picture sale Missed opportunities Endings New clients and friends Notable restorations A few more forgeries Misattributions, studio replicas, and repainted originals Cleanings and controversies Please do not varnish this painting Retirement The Salvator mundi Appendix I : technical matters and essential principles Appendix II : restoration practices Plates Notes Index of names Bibliography Illustration credits Acknowledgements
