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C
Chapter
Acknowledgements.
ID: 4242076
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Information
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In the same volume
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Dwyer Modestini, Dianne
Introduction
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Dwyer Modestini, Dianne
Preface
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Dwyer Modestini, Dianne
Early years.
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Dwyer Modestini, Dianne
From art student to art restorer
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Dwyer Modestini, Dianne
The Rospigliosi collection
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Dwyer Modestini, Dianne
Caveat emptor
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Dwyer Modestini, Dianne
The Istituto Centrale per il Restauro
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Dwyer Modestini, Dianne
War : Rome, open city
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Dwyer Modestini, Dianne
After the war : transitions.
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Dwyer Modestini, Dianne
The Florentine connection
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Dwyer Modestini, Dianne
Barone Michele Lazzaroni
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Dwyer Modestini, Dianne
Assis Chateaubriand and São Paulo
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Dwyer Modestini, Dianne
Welcome to America
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Dwyer Modestini, Dianne
Carnegie Hall and Huckleberry Hill.
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Dwyer Modestini, Dianne
New York, New York
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Dwyer Modestini, Dianne
Samuel Kress and the National Gallery of Art.
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Dwyer Modestini, Dianne
The Regional Gallery program
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Dwyer Modestini, Dianne
The art of acquisition
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Dwyer Modestini, Dianne
The last picture sale
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Dwyer Modestini, Dianne
Missed opportunities.
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Dwyer Modestini, Dianne
Endings.
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Dwyer Modestini, Dianne
New clients and friends.
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Dwyer Modestini, Dianne
Notable restorations.
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Dwyer Modestini, Dianne
A few more forgeries.
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Dwyer Modestini, Dianne
Misattributions, studio replicas, and repainted originals.
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Dwyer Modestini, Dianne
Cleanings and controversies.
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Dwyer Modestini, Dianne
Please do not varnish this painting
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Dwyer Modestini, Dianne
Retirement
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Dwyer Modestini, Dianne
The Salvator mundi
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Dwyer Modestini, Dianne
Appendix I : technical matters and essential principles.
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Dwyer Modestini, Dianne
Appendix II : restoration practices.
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Dwyer Modestini, Dianne
Plates.
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Dwyer Modestini, Dianne
Notes.
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Dwyer Modestini, Dianne
Index of names.
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Dwyer Modestini, Dianne
Bibliography
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Dwyer Modestini, Dianne
Illustration credits.
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Dwyer Modestini, Dianne
Acknowledgements.
Sample page
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