Misattributions, studio replicas, and repainted originals

P. 354-374

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  • Introduction
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  • Preface
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  • Early years
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  • From art student to art restorer
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  • The Rospigliosi collection
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  • Caveat emptor
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  • The Istituto Centrale per il Restauro
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  • War : Rome, open city
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  • After the war : transitions
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  • The Florentine connection
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  • Barone Michele Lazzaroni
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  • Assis Chateaubriand and São Paulo
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  • Welcome to America
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  • Carnegie Hall and Huckleberry Hill
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  • New York, New York
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  • Samuel Kress and the National Gallery of Art.
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  • The Regional Gallery program
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  • The art of acquisition
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  • The last picture sale
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  • Missed opportunities
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  • Endings
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  • New clients and friends
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  • Notable restorations
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  • A few more forgeries
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  • Misattributions, studio replicas, and repainted originals
  • Cleanings and controversies
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  • Please do not varnish this painting
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  • Retirement
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  • The Salvator mundi
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  • Appendix I : technical matters and essential principles
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  • Appendix II : restoration practices
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  • Plates
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  • Notes
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  • Index of names
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  • Bibliography
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  • Illustration credits
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  • Acknowledgements
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  ISBN: 9788879234511

  Permalink: https://digital.casalini.it/10.1400/255752

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