2012 - Bulzoni
Chapter
Digital Version
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Stage Directions and Authorship : Shakespeare, Middleton, Heywood
P. 185-200
Is part of
Memoria di Shakespeare : 8, 2012-
Information
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In the same volume
- Introduction
- The Author, the Text, the Reader
- Unified Theory of the Text (UTT) and the Question of Authorship Attribution
- Shakespeare, Linguistics and a New Philology
- Shakespeare : Playwright or Sprachschöpfer?
- The Primacy of Philology
- The Burden of Proof : from New Biographism to New Disintegration
- Reviewing Authorship Studies of Shakespeare and His Contemporaries, and the Case of Arden of Faversham
- The Choice between Plays and Poems
- Stage Directions and Authorship : Shakespeare, Middleton, Heywood
- Romeo and Juliet : una croce testuale fra Q2 e Q1.
- King Lear : the Division of the Critics
- The Two Noble Kinsmen : Lettura critica di una tragicommedia a quattro mani
- Hamlet : the Acting Version and the Wiser Sort
- Chi ha scritto The Murder of Gonzago? : un autore alla ricerca del suo personaggio
- Hamlet : Authorship Enacted
- Grammatica, stile e politica : l'uso del pronome ye in Thomas of Woodstock
- Double Falsehood/Cardenio : a Case of Authorship Attribution with Computer-Based Tools
- Speaking the Truth : on the Power of Words in Arden of Faversham
- Partita a scacchi : apocrifi shakespeariani e opere di Middleton
- Pasticci shakespeariani : gli apocrifi nella narrativa del XXI secolo
- Works Cited
- Selected publications and performances 2009-2010
- Shakespearian studies
