2022 - Viella
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Tintoretto's Self-Portraiture : Shaping a ‘Furious' Artistic Identity in Sixteenth-Century Venice
P. 47-83
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In derselben Datei
- Introduction : Jacopo Tintoretto : Identity, Practice, Meaning
- “Thence comes it that my name receives a brand” : Tintoretto's Nickname Reconsidered
- Tintoretto's Self-Portraiture : Shaping a ‘Furious' Artistic Identity in Sixteenth-Century Venice
- Beyond Rivalry : Tintoretto and the Challenge of Composition
- Problems in Tintoretto – mostly Graphic
- Tintoretto and Drawing “dal vivo” in Sixteenth-Century Venice
- Bleeding Paper : The Use of Red Oil Paint in Drawings from Tintoretto's Workshop
- Artistic Liberty and Its Limits : Tintoretto's Temptation of Saint Anthony Abbot for Antonio Milledonne
- Portrait of a Lady Revisited: Veronica Franco, Domenico Tintoretto, and the Reappropriation of Venus
- The Allure of Flaws : Domenico Tintoretto, Venetian Academies, and the Crisis of the Cinquecento Tradition
- Commemorating Tintoretto? : on the Nature of Anniversaries and the Task of Scholarship
- Bibliography
- Abstracts
- Contributors
- Index of Names
- Index of Places and Collections