Archaeobotany, a discipline for cultural heritage

P. 123-124

• Artikel aus derselben Ausgabe (einzeln erhältlich)

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  • The Lazio DTC Centre of Excellence and the stakeholders
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  • Innovation and digitization of museum environments
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  • Three-year digitization plan for museums
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  • Technology, culture and knowledge
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  • The DTC and digital artisans
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  • The digital storytelling for the training of experts in cultural assets and systems
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  • Project ECODIGIT : use of GIS and 3D Data in the field of cultural heritage
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  • The digital cataloguing of medieval manuscript fragments in beneventan minuscule
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  • High-end technologies for built heritage : towards democratization
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  • Small historic towns networks : Italy and China : bridging cultures
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  • Planning regional growth through cultural heritage
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  • Cultural heritage, territory and tourism : new challenges
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  • Cultural heritage sustainability operationalization in European funding programmes : a benchmarking analysis
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  • Protection and enhancement models for cultural heritage
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  • ADAMO : diagnosis of a territory between active conservation and applications
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  • SISMI : from fragility to relaunch
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  • Safety and preservation : to do or not to do?
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  • Technologies for the structural monitoring of Ninfeo Ponari : a test activity in collaboration between ENEA and the university of Cassino
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  • Structural health monitoring and maintenance sustainability
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  • Activities and achievements of the higher education course : testing and structural assessment of historical and monumental constructions Marcello Ciampoli
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  • Shape memory alloy applications in seismic field
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  • Technologies for diagnostics, conservation, restoration : diagnostic on cultural heritage
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  • Large scale facilities as an opportunity for technological innovation in the ADAMO project
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  • Low cost system for a multispectral 3D models, to document the conservation status and the restoration materials of the polychrome sculptures
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  • The Virgin and the Child of Santa Maria in Cosmedin : mid-infrared imaging
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  • Surface enhanced raman scattering spectroscopy for analysis of ancient dyes : a case study and new protocols
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  • Investigations on the painted frescoes from Villa della Piscina (Centocelle-Rome) : a multi-analytical non-destructive approach
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  • Multianalytical approach to the study of degradation phenomena in a gilded copper artifact from XVI-XVII century found in river Tiber
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  • Effects of the X-Rays irradiation on collagen of artistic artefacts by means of microscopic techniques
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  • The restoration of the Basilica of S. Nicola in Carcere, in Rome : a non-invasive diagnostic analysis of the gresco of Vincenzo Pasqualoni and a detailed characterization of the biotic agents responsible of the biodegradation
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  • Diagnostic analyses of paintings and ancient marble busts of Palazzo Chigi at Ariccia (Rome)
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  • The Capitoline superintendence for cultural heritage : the case study of the Esquiline hill
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  • Archaeobotany, a discipline for cultural heritage
  • Innovation as a support for scientific experience in the technological district of cultural heritage of Lazio, Italy
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  • Humans and environments as cultural heritage : bioarchaeological case-studies from Latium
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  • Biological research applied to cultural heritage
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  • How to explain experimental data with mathematical models : forecasting the effects of crystallization inhibitors
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  • The new materials for the recovery of artistic artefacts damaged by natural events
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  • Study of the stability of an innovative system for pictorial re integration and for the potential reconstruction of wall paintings, called Tattoo Wall® or digital fresco
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  • Study of gilded and painted leather artifacts from Palazzo Chigi in Ariccia
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  • WoodINCULT : the state of art of dendrochronological wood dating, conservation and restoration in cultural heritage
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  • Reliefs of moisture infiltration in the apse of the church of San Nicola in Carcere during the restoration work
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  ISBN: 9788891319739

  Permalink: https://digital.casalini.it/4696426

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  • Verschiedenes zur bildenden und angewandten Kunst
  • Historische, geografische, personenbezogene Behandlung der bildenden und angewandten Kunst