The Human Shutter : Photographs, Stereoscopic Depth, and Moving Images

the fascinating journey of early pioneers like Antoine Claudet and Giorgio Sommer, whose work in motion and binocular vision plays a pivotal role in rethinking the origins of photographic cinema. Bowen bridges this history with contemporary innovations, including the dissolution of time in photography with the advent of generative AI.The volume also highlights the work of modern and contemporary artists and filmmakers such as Marcel Duchamp, Robert Smithson, Lucy Raven, Ken Jacobs, and OpenEndedGroup, who have explored stereoscopic spaces and perceptions in innovative ways.Key for undergraduate and postgraduate students studying art, art history, film, photography, and new media. It is also relevant to photographers, photo historians, experimental filmmakers, video artists, digital media artists, painters, and sculptors seeking fresh insights into their respective fields. Will resonate with readers interested in the history of 19th-century photography and the development of stereoscopic media. [Publisher's

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