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For the sake of Yugoslavia and self-celebration : the Mimara donations
P. 387-395
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Información
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En el mismo volumen
- Foreword
- The Alpine-Adriatic Region : an outline of its 20th-century history
- Maps
- Editorial Note
- Safeguarding in war theatres : the Austro-Italian front
- Bells, organs and church roofs into weapons
- The cultural heritage of Friuli during the Austro-German occupation (1917-1918)
- Redefining identities
- Struggling for art : war damages, claims and restitutions
- Strengthening feelings of national identity : the case of Zadar
- Displaced art objects : a constant field of conflict between Italy and Yugoslavia
- Italian safeguarding of cultural heritage in border areas
- Illusions of a cultural policy : the Italian occupation of Slovenia (1941-1943)
- "Machen Sie mir dieses Land wieder deutsch!" : the German occupation of Slovenia (1941-1945)
- Hunting for nordic traces from South Tyrol to Slovenia : the role of the SS-Ahnenerbe
- Nationalizing Croatian art (1941-1945)
- Trieste, a last way out : Jewish emigrants and their cultural assets
- The confiscation of Jewish cultural assets in Italy : from Fascist to Nazi persecution
- The restitution of Jewish cultural assets in the free territory of Trieste
- The Allies and art restitutions : the case of Zadar
- Policies of appropriation and redistribution in socialist Yugoslavia (1947-1966)
- Cold War shadows on a Borderland Region
- Italy and Yugoslavia : claims, reparations and restitutions (1947-1961)
- For the sake of Yugoslavia and self-celebration : the Mimara donations
- Istrian Artworks in Italy
- Conclusion
- Biographical notes
- Concordance of place names
- Appendix 1 : Time, places, borders : an overview
- Appendix 2 : Maps 1939-1945
- List of Archives
- Bibliography
