Looters, Photographers, and Thieves : Aspects of Italian Photographic Culture in the Nineteenth and Twentieth Centuries

condition ways of seeing. Finally, this book is meant as a locus where the images produced in the shaping of notions of citizenship and cultural relevance in nineteenth and twentieth century Italy might reveal the processes of the imaginary. As such, the arguments and images in each chapter thread through each other to propose ways by which to approach disparate subjects and forms in order to envision photographers themselves as seers rather than gazers. [Publisher's text]