Wer sind die Satyrn?

P. 305-314

• Chapters from the same volume (available individually)

  • Introduction
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  • Seers in the Citadel : The Representation of Ignorance and Foreknowledge on an Apulian Vase
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  • Telegonus and the Bow of Odysseus : Reconsidering a Red-Figure Vase Fragment in the Budapest Museum of Fine Arts
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  • Vier Variationen zum Thema »Nausikaa«
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  • »Möge das Glück immer mit Dir sein« : zur Ikonographie von hochhellenistischem Goldschmuck
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  • Juggling with the Stars
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  • Chrysothrix : a Rare Magical Gem.
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  • A Progeny with Angels : A New Hymnic Fragment on a Magic Gem and its Predecessor in the Budapest Museum of Fine Arts
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  • The Transfer of Designs from Magical Gems to Late-Antique Thunderstones
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  • Circular Greek Magical Gem Designs in the Cairo Genizah
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  • Making a Difference : Selective Variation in the Danubian Rider Plaques of the Sirmium Region
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  • Pindar, die Sirene und der Tempelraub
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  • An Image of Collective Victory : Notes on the Iconographic Scheme of Nike with Bull and Tripod
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  • Wer sind die Satyrn?
  • Giants Defeated, Wings Uplifted : Some Remarks on the Pergamene Great Altar
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  • Winged Menerva and the Role of Wings in Etruscan Iconography
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  • Harpist or Weaver : Reassessing a Depiction of Isis on the Saqqara Painted Tunic
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  • Eine Epikur-Statue in Athen und ihre spätantike ›Metamorphose‹
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  • Die Athena Rospigliosi - ein Meisterwerk der Renaissance
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  • Die Textilsammlung des Martin Johan Rücker Freiherr von Jenisch im Museum für Byzantinische Kunst, Berlin
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• Information

  DOI: 10.48255/9788891336279.13

  Permalink: https://digital.casalini.it/10.48255/9788891336279.13

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