Liane Mirette, la flapper del cinema muto italiano

P. 73-90

• Articles from the same issue (available individually)

  • New Woman e cinema muto in Europa : immagini, narrazioni e discorsi sociali
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  • Bubikopf as new woman, new star : Louise Brooks in Weimar silent film and culture
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  • Flying into Wedlock at 300 km/h : gender, sexuality, and the modern woman in Hon, den enda (Isepa, 1926)
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  • Liane Mirette, la flapper del cinema muto italiano
  • The new woman is a dancer : Asta Nielsen's screendances as a vehicle for the depiction of the new woman
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  • Adoring the new woman : Asta Nielsen's diverse fan base in Germany and Austria-Hungary in the early 1910s
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  • The genesis of the new woman : the case of Mistinguett
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  • The new woman as dramatic character in Ekaterina Ivanovna by Leonid Andreev : the play and its adaptation
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  • Mrs Thuillier, Mrs Chaumont and Mrs Vallouy, mothers and daughters : French colorists at the beginning of cinema
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  • La sparizione dell'umano : le foto di Parigi prima e dopo Benjamin
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  • Miley Cyrus : beyond gender : (re)defining female identity through fashion and performance
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  • Recensioni
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• Information

  DOI: 10.1400/295887

  ISSN: 2280-9244

  Permalink: https://digital.casalini.it/10.1400/295887

  DISCIPLINES

  • International law
  • Social, labor, welfare, and related law
  • Public performances