Der Triumphbogen Alfonsos in Neapel : das Monument und seine politische Bedeutung

P. 213-305

• Information

  ISBN: 9788891317636

  ISSN: 0065-0900

  Permalink: http://digital.casalini.it/5550316
• In this issue

  • Il significato e l'architettura
  • The cross-axis in Roman architecture a symbolic motif?
  • The fragment of a group of wrestlers in Nasjonalgalleriet, Oslo
  • Zur Herkunft des Antinousobelisken
  • Der Sockel des Theodosiusobelisken in Konstantinopel als Denkmal der Spätantike
  • Nochmals die spätantike Kaiserin im Norwegischen Institut in Rom.
  • Some remarks on late Greek portraiture : especially regarding the Jamblichos type
  • Zur Porträtplastik des sechsten nachchristlichen Jahrhunderts
  • A fragment of early Palaeologan sculpture in Istanbul
  • Le pitture islamiche nel duomo di Cefalù
  • Osservazioni sulle modifiche delle volte nella cripta di Anagni
  • Effigiem Christi, qui transis, semper honora : verses condemning the cult of sacred images in art and literature
  • The St. Anthony Abbot ascribed to Bartolo di Fredi in the National Gallery, London : a contribution to the attribution game
  • The St. Sebastian tabernacle by Leonardo del Tasso in the church of St. Ambrogio in Florence : technique and restoration
  • A tale of two cities : Florentine and Roman visual context for fifteenth-century palaces
  • Der Triumphbogen Alfonsos in Neapel : das Monument und seine politische Bedeutung
  • Das Portal der Cappella di Santa Barbara im Castelnuovo zu Neapel
  • Titian's Triumph of Faith and the medieval tradition of the Glory of Christ