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Topsy-turvy or mainstream? : power structures in late victorian popular musical theatre
P. 79-97
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ISSN: 0069-3391
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In this issue
- Introduzione
- Music, mimetic manipulation, and the politics of power in Imperial Germany
- Music, power, and changing semantics of time in the long Nineteenth Century
- Nobilissime logge per la Real Corte : usi, pratiche, significati dei palchi reali nei teatri italiani del primo Ottocento
- Opera in the bathroom : power and personality in Opéra de salon of the Second Empire
- Topsy-turvy or mainstream? : power structures in late victorian popular musical theatre
- "Sei er gefehmt, sei er gebannt!" : il destino degli oppressi e dei redenti, da Tannhäuser a Parsifal
- La Chapelle royale durante la Restaurazione (1814–1830) : cerimoniale e ritualizzazione del quotidiano come instrumentum regni
- Choral societies and political power in the cities of Bern and Fribourg in the Nineteenth century
- Playing for supremacy, or the international contest of military bands in 1867
- The Tunisian Mālūf during French protectorate : power and decolonisation
- Exporting Naples : geopolitics and transculturality, from Io te voglio bene assaje to Caruso
- Potere e influenza dell'industria culturale : musica e immagini nella pubblicistica primonovecentesca targata Ricordi