2022 - L'Erma di Bretschneider
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Anna Morandi : Bolognese ceroplastics between practice and theory
P. 209-221
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ISBN: 9788891320292
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In the same volume
- Foreword
- Acknowledgments
- The wax models of the gynaecological and obstetric clinic of the University of Padua
- Plague : from palæopathology to wax modelling
- Anatomical wax modelling in modern Egypt : Leon Gatineau, his craft and his contribute to ceroplastic technique
- Art & Science between Life & Death
- Travelling exhibitions and wax makers on the move : anatomies in early 19th-century Barcelona
- What Ziegler did not provide – the embryological plate models of the laboratory of anatomist Lodewijk Bolk
- Further anatomical findings in the wax models of Susini and Boi at the University of Cagliari
- The anatomical waxes in the early stage of smallpox vaccinations
- Wax models in Barcelona : from university anatomical sculptors to makers of dermatological waxworks
- Scientific ceroplasty in Milan : new research acquisitions
- The teaching of phytoparasitology in the collections of the Istituto Tecnico Toscano of Florence
- Italian fungi models : a teaching aid to avoid mushroom poisoning in the XIX century
- Reviving a neglected collection through collaborative knowledge production : the case of the Stockholm moulages
- Finger Faces : Wax Hand Models and Moulages in Medicine
- Following the tracks of the past : the recuperation of the Olavide Museum
- Dermatological moulages – the artists behind the objects
- The degradation of the anatomical wax models of “La Specola” Museum as a result of a demixing process
- Anna Morandi : Bolognese ceroplastics between practice and theory
- Waxing and Waning : The curious case of an early Eaton's wax displaymannequin
- From the Doge's funeral masks to the ‘children with no names' : the art of wax modelling in Venice
- Wax Artefacts in the Kunstkammer of Archduke Ferdinand II (1529-1595) at Ambras Castle
- Cast, Not Modelled : the Importance of Understanding Materials and Processes in Medardo Rosso's Waxes
- Rescue of ancient pigments for the current ceroplastic technique, performed by the Mexican artisan Marco A. Miranda
- A new sculpture Commission for the Wellcome Galleries of Medicine, Science Museum London
- Rethinking and reinterpreting the 18th – 19th century wax models of the Università di Modena e Reggio Emilia's Museum Centre (In studiis artistarum project)
- A CAPITE AD CALCEM : Anatomical models become the face of a literary and multimedia project
- The masks of Lorenzo Tenchini at the University of Parma : their legacy to the modern concepts of facial transplantation, additive layer manufacturing, and facial recognition algorithms
- Ceroplasty's Future : The Plastinates of Gunther von Hagens' BodyWorlds and the Visual Language of Modernity
- Illustrations
- Annex : Congress Programme