1897, la nascita del cinema in Giappone : cinematografo Lumière contro Vitascopio Edison : protagonisti, ruoli e strategie pubblicitarie

P. 138-147

• Information

  DOI: 10.26350/001200_000152

  ISSN: 1827-7969

  Permalink: http://digital.casalini.it/10.26350/001200_000152
• In this issue

  • Reimagining narratives on migration : the role of media, arts and culture in promoting transcultural dialogue
  • Countering or reframing migrations : frames, definitions, strategies to imagine new metaphors and narrative for the media agenda
  • Making the 'new citizen' : (self-)representation narratives of italians of immigrant background on intercultural digital media platforms
  • "We do something because we think that it is important for society and that we should be heard" : agency and strategies of empowerment of community media producers in Germany in light of experiences of racism
  • The online communication of art-based education organisations working with underage refugees and migrants in Europe
  • Using collaborative exhibition-making to engage with the representation of Nigerian women in Palermo : Iloi as a case studyin the application of a participatory 'collage methodology'
  • Fictional refugee cartographies : a reappraisal of cartographies beyond truthful reproductions of landscape
  • Site-specific artistic practices as potential ways of urban co-existence and transcultural dialogue : the case of two Athenian squares
  • Audience engagement and cultural diversity
  • 1897, la nascita del cinema in Giappone : cinematografo Lumière contro Vitascopio Edison : protagonisti, ruoli e strategie pubblicitarie
  • Disturbing times of series in the age of OTT.