Bleeding Paper : The Use of Red Oil Paint in Drawings from Tintoretto's Workshop

P. 173-195

• Chapters from the same volume (available individually)

  • Introduction : Jacopo Tintoretto : Identity, Practice, Meaning
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  • “Thence comes it that my name receives a brand” : Tintoretto's Nickname Reconsidered
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  • Tintoretto's Self-Portraiture : Shaping a ‘Furious' Artistic Identity in Sixteenth-Century Venice
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  • Beyond Rivalry : Tintoretto and the Challenge of Composition
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  • Problems in Tintoretto – mostly Graphic
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  • Tintoretto and Drawing “dal vivo” in Sixteenth-Century Venice
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  • Bleeding Paper : The Use of Red Oil Paint in Drawings from Tintoretto's Workshop
  • Artistic Liberty and Its Limits : Tintoretto's Temptation of Saint Anthony Abbot for Antonio Milledonne
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  • Portrait of a Lady Revisited: Veronica Franco, Domenico Tintoretto, and the Reappropriation of Venus
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  • The Allure of Flaws : Domenico Tintoretto, Venetian Academies, and the Crisis of the Cinquecento Tradition
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  • Commemorating Tintoretto? : on the Nature of Anniversaries and the Task of Scholarship
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  • Bibliography
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  • Abstracts
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  • Contributors
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  • Index of Names
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  • Index of Places and Collections
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• Information

  DOI: 10.23744/4342

  Permalink: https://digital.casalini.it/10.23744/4342