Theodor W. Adorno und Arnold Gehlen : Politische Gegensätze und kulturkritisches Einverständnis

P. 209-238

• Articles from the same issue (available individually)

  • Introduction : Romanticism and popular music
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  • Romanticism redux : the triumph of the Allman Brothers Band
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  • The magpies, the prize and Coleridge's imagination : the creation records story
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  • The gothic and the romantic in Nick Cave and the bad seeds
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  • Understanding the ghosts of 20th century troubadours : romanticising tragedy as a means of grieving a time before our own.
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  • The pastoral elegy rocks Shelley's revisions of an ancient genre open the way to honour Brian Jones
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  • "Tu con la testa, io con il cuore" : l'influenza del Romanticismo nella vita e nei testi di Piero Ciampi
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  • La genesi dell'esperienza schizofrenica : tra costituzione e ripetizione
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  • Siamo 'macchine da sopravvivenza'? : breve riflessione sui fini e le norme di natura
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  • "Sull'espressione, fenomeno cosmico" 1925 (Trad. a cura di Giulia Gobbi)
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  • Introduction : Theodor W. Adorno : dialectics, aesthetics, anthropology, society
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  • Theodor W. Adorno und Arnold Gehlen : Politische Gegensätze und kulturkritisches Einverständnis
  • "Jenseits der ästhetischen Immanenz" Natur und Gesellschaft in Adornos Theorie des Ästhetischen
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  • Theory, praxis and the primacy of the object : some remarks on Adorno's conception of dialectics
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  • Biografie autori
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  ISSN: 2385-1139

  Permalink: https://digital.casalini.it/5072122

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