History and Progress in Buried in Light and Empires of Tin : The Archive of Pain in the Oeuvre of Jem Cohen

P. 49-61

• Articles from the same issue (available individually)

  • Questioning the Images of Atrocity : An Introduction
    Get article
  • Lasting Remains : The Anesthetizing Gaze in German Postwar Cinema and Photography
    Get article
  • Preserving Memory or Fabricating the Past? : How Films Constitute Cinematic Archives of the Holocaust
    Get article
  • History and Progress in Buried in Light and Empires of Tin : The Archive of Pain in the Oeuvre of Jem Cohen
  • Wir wollen uns mit den Bildern unseres Landes befassen : Documents, Fetishes, Icons, Relics : the Reconstruction of the German Autumn as an Image
    Get article
  • Private Images in Place of the Beloved Bodies : Relics Against the Politics of Disappearance
    Get article
  • Malgré tout... l'image manque
    Get article
  • Perpetrator Images, Perpetrator Artifacts : The Nomad Archives of Tuol Sleng (S-21)
    Get article
  • Melodrama, Identity, and Community in Forbrydelsen
    Get article
  • The Museum as a Cinematic Space : The Display of Moving Images in History Museums
    Get article
  • Projects & Abstracts
    Get article
  • Reviews / Comptes-rendus
    Get article
  • Contributors / Collaborateurs
    Get article

  Show more
• Information

  ISSN: 2035-5270

  Permalink: https://digital.casalini.it/5049040

  DISCIPLINES

  • Public performances