The Experience of Duration and the Manipulation of Time in Exposed Cinema

P. 121-134

• Articles from the same issue (available individually)

  • Post-what? : Post-when? : A Conversation on the Posts of Post-media and Post-cinema
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  • Speculation : Transition, and the Passing of Post-cinema
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  • Against Post-cinema
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  • Simulating the Past : Digital Preservation of Moving Images and the End of Cinema
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  • The Photochemical Conditions of the Frame
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  • Becoming Space in Every Direction : Birdman as Post-cinematic Baroque
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  • GIF Art in the Metamodern Era.
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  • Queering the Amateur Analog Video Archive : the Case of Bologna's Countercultural Life in the 80s and the 90s.
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  • Notes for a History of Radio-Film : Cinematic Imagination and Intermedia Forms in Early Italian Radio
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  • The Experience of Duration and the Manipulation of Time in Exposed Cinema
  • Archival Hauntings in the Revenant Narratives from Home in Péter Forgács' Private Hungary
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  • Projects & Abstracts
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  • Reviews / Comptes-rendus
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  • Contributors / Collaborateurs
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  ISSN: 2035-5270

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