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The use of the electric guitar in David Bedford's 18 Bricks Left on April 21st : texture, immersive listening and rock influences
P. 139-157
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ISSN: 2611-8955
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In this issue
- Diffrazioni e dicotomie nella teoria modale del Rinascimento
- Giovanni Bassano's divisions : a computational approach to analyzing the gap between theory and practice
- Trasmutazione di un archetipo e sue conseguenze nel I movimento della Sonata op. 110 di Beethoven
- Un'indagine analitico-performativa sui 72 Studi Carnatici per pianoforte di Jacques Charpentier (1933–2017)
- The use of the electric guitar in David Bedford's 18 Bricks Left on April 21st : texture, immersive listening and rock influences
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