The use of the electric guitar in David Bedford's 18 Bricks Left on April 21st : texture, immersive listening and rock influences

P. 139-157

• Articles from the same issue (available individually)

  • Diffrazioni e dicotomie nella teoria modale del Rinascimento
    Get article
  • Giovanni Bassano's divisions : a computational approach to analyzing the gap between theory and practice
    Get article
  • Trasmutazione di un archetipo e sue conseguenze nel I movimento della Sonata op. 110 di Beethoven
    Get article
  • Un'indagine analitico-performativa sui 72 Studi Carnatici per pianoforte di Jacques Charpentier (1933–2017)
    Get article
  • The use of the electric guitar in David Bedford's 18 Bricks Left on April 21st : texture, immersive listening and rock influences
  • Recensioni
    Get article

  Show more
• Information

  ISSN: 2611-8955

  Permalink: http://digital.casalini.it/4914001