Translating performance : reconsidering the dichotomy between hon'an and hon'yaku in Tsubouchi Shoyo's Shakespeare theatre translation

77-91 p.

• Articles from the same issue (available individually)

  • Introduction
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  • Public order, morality, hygiene : regulating theatrical performances in early Twentieth century Japan
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  • Twentieth-century wagei in Tokyo : stages and urban places
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  • Pioneers of stage design in Japanese theater
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  • From buyo to shinbuyo and to the modern dance in Japan : an itinerary from Tsubouchi Shoyo to Ishii Baku
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  • Translating performance : reconsidering the dichotomy between hon'an and hon'yaku in Tsubouchi Shoyo's Shakespeare theatre translation
  • Modern war and traditional Japanese performing arts : popularity of "Three brave human bombs"
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  • Staging the climate of postwar Japan : Kubo Sakae's Nihon no kisho
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  • Placing protest and corporeality in the 1960s
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• Information

  DOI: 10.19272/202003803006

  ISSN: 1724-1863

  Permalink: https://digital.casalini.it/10.19272/202003803006

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