2019 - Leo S. Olschki
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Update on and insights into the Royal Academy Copy of The Last Supper and its reception in England in the first half of the Nineteenth century
P. 87-109
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In the same volume
- Preliminaries
- Foreword
- Acknowledgements
- Preface
- Introduction
- Guide to short forms used
- The Windsor Leonardos, 1519–2019
- Leonardo in the collection of general John Guise (1682-1765)
- Leonardo drawings in bloomsbury and beyond
- Leonardo's St Anne types and the dating of the National Gallery Cartoon
- Towards a biography of the National Gallery's Virgin of the Rocks
- Update on and insights into the Royal Academy Copy of The Last Supper and its reception in England in the first half of the Nineteenth century
- The critical fortuna of Leonardo in Seventeenth-Century England
- The National Gallery searching for Leonardo : acquisitions and contributions to knowledge about the Lombard school
- Leonardo's afterlife in the world of New philosophy
- Leonardo's science in Seventeenth- and Eighteenth-century England : the Codex Leicester, the Codex Arundel and the Codex Huygens
- Leonardo's treatise and the empirical undertow in British art theory
- Leonardo's treatise of painting : the first English edition and the manuscripts owned by Patch, Smith and Johnson
- Rigaud's popular translation of Leonardo's Treatise on painting (1802)
- Attitudes to Leonardo at the Royal Academy of Arts, 1768-1830
- Alexander Cozens and Leonardo da Vinci : blot and landscape painting between the Eighteenth and Nineteenth century
- The power of an intimate presence : Walter Pater's Leonardo essay (1869) and its influence at the fin de siècle
- Re-reading Richter and MacCurdy : lessons in translation
- Kenneth Clark and Leonardo : from connoisseurship to broadcasting to digital technologies
- John Shearman's Leonardo
- [Plates]
- Picturec credits
- Manuscript sources and bibliography
- Index
- Note on editors
