Comunicazioni sociali : 3, 2019
[Writing for cinema, writing for television]

P. 343-481

• Articles from the same issue (available individually)

  • Introduction
    Get article
  • From television to cinema and back to television again (25 years later) : Twin Peaks' ambivalent scriptwriting approach
    Get article
  • Creative strategies in the TV adaptation of Fargo : narrative and aesthetic features
    Get article
  • Caught in the second act : the relationship between film and the TV sitcom
    Get article
  • The Italian storytelling approach to TV seriality compared to the US method : a case study
    Get article
  • Adapting Pippi Longstocking : the 1969 television series moves from Sweden to Italy
    Get article
  • Co-productions and the logic of negotiating stereotypes : Bron|Broen and The Bridge
    Get article
  • Identity, time and free in stories : a poetical study on the TV series Dark
    Get article
  • Illuminating the inciting incident and the lessons learned along the journey
    Get article
  • The Leftovers (rehated) : examining the layering of story and character archetypes in the television drama series : The Leftovers
    Get article
  • Indice ragionato
    Get article

  Show more
• Information

  ISSN: 1827-7969

  Permalink: https://digital.casalini.it/4624430

  DISCIPLINES

  • Sociology and anthropology