L'impronta e l'immagine animata : l'opera di Leonardo Carrano

P. 37-47

• Information

  DOI: 10.1400/257940

  ISSN: 2280-9244

  Permalink: http://digital.casalini.it/10.1400/257940
• In this issue

  • Premessa
  • Rileggere i miti : animazione e archeologia dei media
  • La realtà liquida delle nuove forme di animazione contemporanea
  • L'impronta e l'immagine animata : l'opera di Leonardo Carrano
  • Re-animated Avatar: A Motion-Capture Hero in South Asia
  • Contemporary 3D CG Animation and the Uncanny Valley : Estrangements and Returns
  • Playing on the Animation Spectrum : Sport and Visualisation
  • Flourished in Reaction : The Animated Docufiction and Its Growth in Response to the Phenomenon of Digitalization
  • When Animation Meets Historical Taboo : Remembrance Through the Depiction of Comfort Women in Korean Animated Documentary
  • Kind Dragons and Skinny Vikings : Post-Heroism and the White Savior in How To Train your Dragon, 2010
  • The Origin is the Goal : Pixar and the Re-Animation of American Identity between National and Postnational
  • Winxologia: il mondo salvato dalle ragazze?
  • Tell Me that I'm a Good Person : BoJack Horseman, umani, animali, animazione, dramedy
  • Standing at the Centre of the Story : Emerging Problems and Opportunities for Animators Migrating from the Traditional Storytelling Frame to the 360 Narrative View
  • Attori e star nella GIF culture
  • Animazione, storia, tecnologie : conversazione con Giannalberto Bendazzi
  • Femminismo, blackness e fantasmi del colonialismo : bande de filles, 2014, di Céline Sciamma
  • L'immagine reminiscente : messa in scena della memoria e mnemopoiesi cinematografica
  • Recensioni