2017 - Franco Angeli
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Aesthetic Naturalism and the «Ways of Art» : linking John Dewey and Samuel Alexander
513-532 p.
- John Dewey's pragmatist aesthetic theory, sketched in Experience and Nature and completed in Art as Experience, is a key achievement of the American philosophical tradition. It expanded and applied Dewey's analysis of experience, a rich continuation of insights from Peirce and James, into a comprehensive philosophy of art. It is filled with insights from and allusions to a wide range of sources, particularly from those originating in the work of Albert Barnes, whose writings and art collection informed Dewey's discussion of aesthetics on many levels. We know from his correspondence that in 1930 he had come into possession of some aesthetic writings of Samuel Alexander, author of Space, Time, and Deity. These writings, Art and the Material and Artistic Creation and Cosmic Creation, show remarkable parallels to the core arguments and concepts of Art as Experience. This paper explores the remarkable links, both historical and conceptual, between their two versions of a naturalist aesthetics. [Publisher's Text].
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Information
ISSN: 1972-5558
KEYWORDS
- Dewey, Samuel Alexander, medium, experience, expression, creation
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In this issue
- Pragmatism : some new ways of thinking for an old name
- Pragmatism in the European Scene : the Heidelberg International Congress of Philosophy, 1908
- Scientific and not Scientistic : the Rich Realism of Pragmatism
- Peirce's Inversions of the Topological and the Logica! : forgotten Roads for our Contemporary World
- The Tones, Tints, and Textures of Temporality : toward a Reconstruction of Peirce's Philosophy of Time
- The Double Pace of Habits : Time and Timeless in Pragmatic Experience
- William James's Naturalism Within the Common Project of Pragmatist Philosophy
- Can We Secularize the Will to Believe?
- Aesthetic Naturalism and the «Ways of Art» : linking John Dewey and Samuel Alexander
- Theoretical Conclusions : Tradition and Truth
- Index