What Women Do, What Women Say : Responsive Voices on the Victorian Stage

P. 205-213

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  • English for Research Publication Purposes and Crosscultural Academic Discourse Analysis
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  • A Linguistic Approach to the Origins of the Didactics of Spanish in England
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  • The Function of Cultural Elements in the Acquisition of English as an International Language : ELT as a Global Cultural Phenomenon
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  • Transcribing Mediaeval Science for Electronic Edition s: Problems and Solutions
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  • Integrating the Socio-Cultural, the Intercultural and the Electronic Literacies into the EFL Curriculum Through the Use of Web-Based Materials
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  • Vision and Imagery in Theodore Roethke's Greenhouse Poems
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  • How She Got Postmodern : A Mormon Memoir : Phyllis Barber on Faith and Selfhood
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  • The Shadows of 9/11 as Explored in the Arab American Narrative of Diana Abu-Jaber and Laila Halaby
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  • What Women Do, What Women Say : Responsive Voices on the Victorian Stage
  • Das Romanschreiben ist noch nicht der Deutschen Sache : The German Reception of Samuel Richardson's Pamela, or Virtue Rewarded, 1740, as a Novelistic Model for 18thc Germany
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  • Gendered Acts of Performance in Sarah Waters's Tipping the Velvet
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  • A Damsel in Distress : Jane Austen's Emma Goes Clueless
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  • Terror and Parody : The Mock Gothic in Poe's Comic Short Stories
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  • Hiromi Goto's The Kappa Child : When Myth Destabilizes Reality
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  ISBN: 9788490120989

  Permalink: http://digital.casalini.it/2949541

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