Gianni Amelio's "Porte aperte" : Opening the Doors to a Critical Re-valuation of Film Adaptation

P. [1-16] [16]

• Chapters from the same volume (available individually)

  • Prefazione
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  • Nota introduttiva
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  • L'identità del cinema italiano
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  • L'onda lunga di Pirandello sul cinema moderno
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  • Amate sponde
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  • Body as Text
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  • The Art of History
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  • Opera and the Neorealism
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  • "Ossessione" and Visconti's Alternative Cinema
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  • "Ladri di biciclette"
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  • Americana
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  • Gianni Amelio's "Porte aperte"
  • "La casa rosa"
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  • Diario di un regista
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• Information

  DOI: 10.1400/43660

  Permalink: https://digital.casalini.it/10.1400/43660

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