2013 - Mandragora
Kapitel
Digital Version
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A new, useful and beautiful art : considerations on the invention of glazed sculpture
P. 189-195
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Informationen
ISBN: 9788874616657
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In derselben Datei
- On primacy
- Pisa and antiquity
- Antiquities and antiquarians in Florence in the first half of the 15th century
- Opus francigenum? : sic et non the influence of french art in Tuscany and central Italy during the gothic period
- The work site of Santa Maria del Fiore
- Representing the nude figure in Early Renaissance florentine art.
- 1400-10 : the Dawn of the Renaissance
- Brunelleschi's dome in the cultural and other landscapes of Florence
- Exaltation of civic life and ancient culture : the flux and reflux of romanitas among florentine humanists
- Almost like living people, and no longer figures of stone
- Metalwork and sculpture in 15th-century florentine art.
- The bronze casting challenge
- The Spiritelli of the Renaissance
- Saints and infants
- From the pagan idol to Donatello's Bronze horse : the iconography of condottieri in florentine sculpture in the early 15th century
- Donatello, creator of the modern public equestrian monument
- Sculptured painting in early Renaissance Florence
- Donatello's challenge, variously echoed, from Masaccio to Filippo Lippi
- Optics and perspective prior to Alberti
- The pyramid and the intentiones : Alhacen, Alberti and the composition of stories in painting
- Alla maniera de' Fiorentini : the spread of taste and its trends in the italian Renaissance
- A new, useful and beautiful art : considerations on the invention of glazed sculpture
- The 1439 Council
- Solidarity and piety in Florence
- The rebirth of the sculpted portrait in 15th-century Florence
- The arts in the Palazzi, 1450-70
- Worship, admiration, display : domestic sculptures
- Sculptural decoration in patrician palaces
- Catalogue
- Bibliographical references