Composing as a dialogue

P. 133-140

• Artikel aus derselben Ausgabe (einzeln erhältlich)

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  • The use of improvisation in Rome in the 1960s and 1970s : motivations, languages and the relationship with context
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  • Roma-Firenze 1965 : parallel debuts, audio documents and some thoughts on the experimental frame of the launch of Gruppo di Improvvisazione Nuova Consonanza
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  • Cornelius Cardew in Rome : the experience of a discordant voice
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  • Music, language, crisis : Mario Bertoncini, Walter Branchi and the piano
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  • Before the driveless car, there was improvisation : some fleeting thoughts on 50 years of making unpopular music
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  • Why is improvisation philosophically so appealing? : some modest and incomplete suggestions
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  • The sound to be heard becomes the sound to be listened to.
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  • Enacting new consonances : from within the activity of Gruppo di Improvvisazione Nuova Consonanza
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  • Presence and immanence : improvisation between liberation and the new.
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  • Composing as a dialogue
  • Performing in empathy : collective musical improvisation of Southeast Asia
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  • Some introductory words
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  • Author song? : the particular case of Fabrizio De André's Via del campo
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  • Heavy metal music : where improvisation fails
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  • Notes on film music and the improvisation issue
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  • Group improvisation in Italy today : an imaginary concert series
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  • Mechanisms in free improvisation : creativity and error
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  • The GINC's music in the light of audiotactile theory
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  • Larry Austin, Franco Evangelisti and the GINC through the papers in the Evangelisti Archive
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  • Relations and interaction between the Association and the Improvisation Group : overview and focus on the years of Evangelisti's presidency (1972-78/79)
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  • The magical perspectives : Giacinto Scelsi and collective vocal improvisations in Rome
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  • Giacinto Scelsi improviser : building a performance practice in dialogue with the complexities of his creative routine
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  • Improvisation and determination in Elohim by Giacinto Scelsi
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  ISBN: 9788870969665

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