Dwyer Modestini, Dianne Please do not varnish this painting 2018 - Cadmo P. 396-403 Ist Teil von Masterpieces : based on a manuscript by Mario Modestini Workspace Zitiere Artikel aus derselben Ausgabe (einzeln erhältlich) Introduction Preface Early years From art student to art restorer The Rospigliosi collection Caveat emptor The Istituto Centrale per il Restauro War : Rome, open city After the war : transitions The Florentine connection Barone Michele Lazzaroni Assis Chateaubriand and São Paulo Welcome to America Carnegie Hall and Huckleberry Hill New York, New York Samuel Kress and the National Gallery of Art. The Regional Gallery program The art of acquisition The last picture sale Missed opportunities Endings New clients and friends Notable restorations A few more forgeries Misattributions, studio replicas, and repainted originals Cleanings and controversies Please do not varnish this painting Retirement The Salvator mundi Appendix I : technical matters and essential principles Appendix II : restoration practices Plates Notes Index of names Bibliography Illustration credits Acknowledgements Informationen DOI: 10.1400/255754 Permalink: http://digital.casalini.it/10.1400/255754