A MAd World, My Gangster. The Changing Notion of Crime in the Hollywood Film from the 1930s to the 1970s

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  DOI: 10.1400/33711

  Permalink: http://digital.casalini.it/10.1400/33711
• In derselben Datei

  • Introduction
  • International Crimes. Selected Aspects: An Introduction
  • Internationalization of Crime and Internationalization of Penal Law: The European Experience
  • International, Regional and U.S. Responses to International Terrorism
  • Transnational Organized Crime: Time To Go To War
  • Sexuality and Sexual deviancy: An Introduction
  • Crime and Punishment in Utopian Literature. A Comparative Reading of Jeremy Bentham's Panopticon (1971) and George Orwell's 1984 (1948)
  • Criminal Sex: Homosexuality and Gender Treachery in Eastern Europe
  • Electronic Crime: An Introduction
  • Old and New Crimes in the Telecommunication World: The Case of Mobile Telephony
  • Dimensions of the Electronic Crime Problem
  • Economic and Political Transformations: An Introduction
  • The Coillapse of Communist Regimes ans "The Great Transformation" in Russia and East Europe
  • Guilt by Association: Crime, Terrorism, and Immigration in Western Europe
  • Crime and Cinema: An Introduction
  • L.A. Confidential: the Crisis of Masculinity and the Perversion of the Law
  • A MAd World, My Gangster. The Changing Notion of Crime in the Hollywood Film from the 1930s to the 1970s
  • On the Love of Crime in the Movies
  • The Globalization of Media: An Introduction
  • Pen, Knife and the Net: from Jack the Ripper to Lady Di
  • World Citizenship as Deviant Act
  • The Shrinking Domestic Space of Human Rights and The Information Age
  • Contributors' Notes